Vincent O'Connor
Vincent's work is based on stripped down motifs drawn from geometry and military history as well as opaque references to a personal history of Western Sydney. Through steel and timber objects that often riff US field gear and ruined architecture, works incrementally build from a restrained palette and strict use of materials. Previously focussing on states of future war and trench art, this new work for Alaska; Erebus looks at the correlation between new age ideas of healing as well as the geometries of the B-2 Spirit Stealth bomber.